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No damage to the jewellery case or item cover, no scuffs, scratches, cracks, or holes. The cover art and liner notes are included. The video game instructions and box are included. The teeth of disk holder are undamaged. Minimal wear on the exterior of item.
See all condition definitions - opens in a new window or tab. Search within Store. This item is Rosenkranz - Masashi Hamauzu - SaGa Frontier II Original Soundtrack (CD) good working condition. Relevant information specific to local Australian and international buyers will be listed below. If you are unsure about how much shipping costs or any other aspect of shipping, please e-mail me for information. Bank payments clear in 1 to 2 business days Monday to Fridayso the earlier you pay, the earlier you can get your item s.
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Postage cost can't be calculated. Please enter a valid postcode. There are 1 items available. Please enter a number less than or equal to 1. Select a valid country. Please enter five or nine numbers for the postcode. Domestic handling time. Rosenkranz - Masashi Hamauzu - SaGa Frontier II Original Soundtrack (CD) policy. Vorspiel Masashi Hamauzu. Praludium Masashi Hamauzu. Ausenwelt Masashi Hamauzu. Roman Masashi Hamauzu.
Majestat Masashi Hamauzu. Rosenkranz Masashi Hamauzu. Wunderding Masashi Hamauzu. Feldschlacht I Masashi Hamauzu. Freudenbezeigung II Masashi Hamauzu. Naturvolk Masashi Hamauzu. Hauptmann Masashi Hamauzu. Wasserjungfer Masashi Hamauzu. Trubsal Masashi Hamauzu. Abweichung Masashi Hamauzu. Trotzkopf Rosenkranz - Masashi Hamauzu - SaGa Frontier II Original Soundtrack (CD) Hamauzu. Erlkonig Masashi Hamauzu. Heimatlose Masashi Hamauzu. Verborgenheit Masashi Hamauzu. Vergeistigung Masashi Hamauzu.
Zusammentreffen Masashi Hamauzu. Rosenkranz - Masashi Hamauzu - SaGa Frontier II Original Soundtrack (CD) Masashi Hamauzu. Untergrund Masashi Hamauzu. Schlachtengluck Masashi Hamauzu. The game itself has a medieval theme, and I do wonder whether the music always fits its location very well, as while much of the music is rendered in a classical fashion, some of the instrumentation seems a little modern for the game. This does nothing to detract from the soundtrack itself, however.
Hamauzu has the ability to compose music for a variety of different situations without detracting from the music's overall sound. I think the emotional themes scattered around the soundtrack are particularly good.
Each of the three CDs is populated by a number of different styles of music ranging from moody ambience to lively jazz. Some of the most interesting tracks are Hamauzu's experimental pieces that cannot really be classified under one particular style. However "Siren" "Wasserjungfer" is an example of the experimentation not paying off.
It feels lacking somehow and just isn't very enjoyable to listen to when compared to other themes on the soundtrack; it uses the main theme again, but does not utilise it to it's maximum potential and sounds bland and uninspiring.
Another sore point for me is the battle music. The 'field battle' themes are quite disappointing, especially when compared to the amazing battle themes Hamauzu composed for Unlimited SaGa. It does get slightly better after the 2-minute mark, but still does little to escape mediocrity.
It starts off quite well, but as it develops it relies on the main theme once again and doesn't seem to do anything new; very uninspiring music, which is a rare thing indeed, coming from Hamauzu. It develops better than the last 3 and actually fits its purpose a lot better than the rest in my opinion.
Each of the four battle themes has a separate victory theme, Rosenkranz - Masashi Hamauzu - SaGa Frontier II Original Soundtrack (CD) are all criminally repetitive and unfortunately lower the quality of the album as a whole, if only slightly.
I actually think they sound quite like work that Hitoshi Sakimoto might have created, only the techno styling makes them seem quite tacky. There are very few dark themes in the soundtrack, Rosenkranz - Masashi Hamauzu - SaGa Frontier II Original Soundtrack (CD), but tracks like "Tobel" "Tobal" and "Cure of Souls" "Seelsorge" use a villain-like chord progression to build a suitable amount of mystery and tension.
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